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Lullaby for Lali

by Ferran Fages

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  • Record/Vinyl + Digital Album

    Limited edition of LULLABY FOR LALI. Few copies available.
    Last copies. Some corners of the sleeve slightly bent.

    Includes unlimited streaming of Lullaby for Lali via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 11 Ferran Fages releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of LIFE BEST UNDER YOUR SEAT REVISITED#1, For John Ayrton Paris, Llavi vell, Llum moll, Isòbara #1, Lullaby for Lali, For Pau Torres, Pèl Nord, and 3 more. , and , .

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about

It’s pop music, informed by Morton Feldman, Scott Walker, surf-twang guitar and avant-blues. It is, perhaps most saliently, seductive and addictive listening.
www.crowwithnomouth.com/2010/09/13/i-was-conducting-a-collision/

Lullaby for Lali is something different from a Barcelonan musician known more for his improvisatory skills on guitars, electronics and turntables. Ferran Fages, both solo, and in collaboration with a multitude of sensitive and skilled players including Robin Hayward, Bhob Rainey and Alfredo Costa Monteiro has been a solid presence in the European experimental and improvisation scenes. Fages has been bending circuits and fretboards out of shape since the tail end of the 1990s, yet Lullaby for Lali turns in a stately, scored and considered take on Ambient and Post-Rock directions.

Fages is joined by Lali Barrière, who provides the album with the unmistakable sounds of the metallophone, guitaret (an obsolete Hohner-produced instrument sounding somewhat like an electrified thumb piano) and electronics. “Lullaby Electric” rumbles into being with grating melodica textures that gives way gradually to a pastoral reverie where the sun is setting slowly at the end of a day when everything was right in your world. Strummed guitars pick at dust motes in a shaft of light, and the metallophone’s distinctive tones arpeggiate in a manner reminiscent of Tortoise’s Vibraphone. Slowly, this side winds down towards a meditative stasis of bowed strings and whistling winds. A lengthy fade-out makes sure you’re suitably relaxed, although best to stay alert enough to turn the vinyl over.

“Lullaby Acoustic” actually sounds very electric in places, although there’s a picture of Ferran Fages playing an acoustic like a lap steel, with two e-bows working overtime, so maybe it shouldn’t be too surprising at the tones he is able to coax out of acoustic bodies. There’s a certain Labradford / Dirty Three slow burn aching its way through this side, as warm guitars, shiny with layers of shellac and spit, cry and moan. Can majesty and serenity result from such simple ingredients? Eventually the melodica drones drop out and you’re ambling along a deserted beach with only a resonant guitar for company. “Lullaby Acoustic” is resolved by protracted interplay between guitar and bass as they sing and swell like the tides of the oceans.

Oliver Laing (Cyclic Defrost, June 24, 2011)

credits

released March 27, 2021

Ferran Fages: electric and acoustic guitars, melodica, electronics and field recordings
Lali Barrière: guitaret, metallophone and electronics

All compostions by Ferran Fages
Arrangements on Lullaby Acoustic by Ferran Fages and Lali Barrière

Artwork by Lali Barrière and Josema Urós

Recorded during november and december 2009 at Maikmaier Studios in Barcelona by Cristian Pallejà
Mixed and Mastered in april 2010 and remastered for Bandcamp in march 2021 by Ferran Conangla

Thanks to Pau Torres, Ferran Conangla and Lali Barrière

Originally released on etude records on 2010

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Ferran Fages Barcelona, Spain

Ferran Fages is an improviser and composer from Barcelona, Spain.

This BC is planned to offer reissues of old/out of stock recordings.

www.ferranfages.net

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